All of Alexander's personal works without exception are always presented 'as shot' without cropping or post production of any kind. He sees the process as cathartic rather than a critical one, and this dedication to ‘in-camera’ purity establishes a predominant focal point for the Distil Ennui practice.

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日本語ワークステイトメント

• Preparatory
• Works on Paper
• Photography
• Paintings & Others
• Sculpture Prototype